Thursday, June 08, 2006

AFRICAN MUSIC

Quite frankly, Western musical audiences are largely ignorant and musically undernourished (if not starving). In terms of African music, Westerners generally have no idea on what they are missing out and appear to be afraid to find out.

Many people would, no doubt, not wish to hear about Africa at all, but the aim of the Live8 concert was to promote the discussion of African issues - both at the G8 conference and amongst the general populace. These type of concerts are supposed to appeal to as wide a Western audience as possible - including UK ethnic Africans and other people who enjoy African music.

When was the last time Elton John and Paul McCartney appeared on Top of the Pops? They made the bill despite current failure to make Top of the Pops - lack of chart success does not mean that an artist lacks an audience. There were even attempts to sideline contemporary stars such as Ms Dynamite and Dizzie Rascal - probably because their dynamic music is naturally political and would show up the musical inanity (and the contrived political stance) of the 'chosen' musicians.

These concerts attempt to employ positive musical forces to help resolve problems - but these problems are the concern of both Africans and Westerners and the music should reflect this fact; just as Africans must humbly accept aid from Westerners in order to promote African causes so must Western musicians humble themselves and accept that Western music needs the truly superior positive force of African music.

The current African problem is essentially a problem of free trade and, to improve the current situation, Western musicians must set an example and open up their market-place to African musicians - after all the Western participants reaped huge personal publicity by supporting Live8, but, as usual, Western music promoters left African musicians in the shadows. It's about time that Western musicians acknowledged the contribution of African music to Western music - without African music there would be no Jazz, no Funk, no Rap and no Rock......there might even be no Grunge!! (what a thought!) This is not about about charity, it's about paying Africa its dues - both for its musical power and its enslaved muscle power.

Although I recognise that Bob Geldof has tried harder than most to change our world, he is, at heart, an utterly miserable fucker and, as such, will always lack the positive force required to succeed. Rather than seeking to solve problems by drawing sour water from the negative pool of Western music, Bob Geldof should replenish his soul by taking time to enjoy the sweet vibrant bouquet of African music - and accepting that Africans can help him.

Live8 should not have been a showcase of African inadequacy (soulless Western music interpolated by clips of starving dying Africans), it should have been a showcase of African creativity (African music mixed with shots of an emotionally enlivened Western audience). Let's not pretend that Africa's existence and culture depends on the charity of Western civilisation - it's actually the other way round...

Or are Western musicians and audiences afraid of the African comparison? Africa is the powerhouse of Western culture and the West should pay its bill.

2 Comments:

At 09 June, 2006 14:52, Blogger LoieJ said...

I found your blog because you apparently somehow checked out my blog.

I'm sure I know only .001% about African music, and what I know probably isn't all that current. But our church's hymnal includes several African hymns that our people, mostly white, way north in the USA, love.

I am in email contact with a Ugandan man who is a music leader/teacher. I asked him if he had any music he could share with me and our church choir. He sent, at great expense to him, several cassette tapes of some African choirs and singers. Much to my surprise, most of the music is old Northern European Christian hymns, not done with much immagination, btw. The few songs that I assume are authentic African, have much more life in them.

I'm sure that such a large continent has a large variety of music. Is anyone there documenting it?

 
At 15 June, 2006 17:05, Blogger lou sid linesman said...

These days African music is recorded and distributed on CDs, DVDs, CDVDs - and MP3 files are sent via the internet.

 

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